Perhaps only Picasso could have changed the direction of modern art with such casual ease. Three years later, pretending to be the neoclassicist J. Ingreshe depicted his fiancee in a beautiful gown Olga Picasso in an Armchair,Musee Picasso, Parisand his return to classicism was confirmed.
Melanie Royals on January 10, I created a stenciled vinyl floorcloth using Annie Sloan Chalk Paint recently for a booth display that got rave reviews so thought it would make a good step-by-step tutorial to share!
Stenciled floorcloths sometimes referred to as oil cloths or floor canvases have The classical essay pattern long history of use in both England and the United States.
Often made from recycled canvas ship sails, painted and stenciled floorcloths offered a less expensive and more hygienic alternative to carpeting and were used extensively in homes both grand and common prior to the invention of linoleum. Most modern day floorcloths are still made from heavy canvas, which requires priming, stretching, and hemming.
As I was looking for a quick and easy alternative-fast-I turned to another modern option: Now, as you know, sheet vinyl comes in many different colors and patterns including brick, tile, and more.
I just purchased a very inexpensive, thin vinyl that was pre-cut and prepackaged for my trade show floor, but if you are doing this for yourself I highly recommend that you go with a much thicker, harder, and better quality vinyl.
After applying a coat of white primer and allowing that to dry, I rolled on two coats of Graphite Chalk Paint. I found it super easy to use on this large scale and quite ideal for stenciling!
I decided that I would use our Large Eastern Lattice stenci l as the centerpiece and frame it with the Classical Border and Corner stencil. For a lacy scalloped edge, I chose the Florentine Damask stencilwith plans to just have the bottom portion of it coming off the linear border.
When picking patterns to go together, I generally look for ones that offer a variety of scale but also contain unifying elements.
To my eye, the lattice pattern has a petal effect that is echoed in the border pattern. The border pattern has some small dots in it which are echoed in the damask pattern. I think that the addition of the Graphite with these soft, classic colors adds a little big of a fresh modern edge.
We then measured When dry, we used a translucent tape to overlap just inside the frame. This was placed at roughly the width of the lines of the lattice stencil to preserve a nice black outline there.
Now to the stenciling! We measured to locate the center of our large inner rectangle and centered one of the cloverleaf elements over it.
This ensures that your symmetrical pattern will end the same at opposite edges. The Chalk Paint covers very well, but it did take two passes to get full coverage with the white. Fortunately, the Chalk Paint dries SO quickly that you can go immediately back over it.
Of course, I used a dry-brush method with the brush, meaning I dipped just the tips of the bristles into the paint and offload a bit onto paper towels before stenciling. You just have to be careful as you near the edges to keep the bristles from creeping in the areas you want to remain white.
The dry brushed method looked fabulous, but I was in a time crunch, as always!
After offloading the roller slightly again on paper towels I used a light pressure to roll the wet paint onto a portion of the stencil repeat. Then, while the paint was still wet, I used the brush to smooth and swirl it out on the surface for the first layer.
This was definitely faster, but I did have some paint seepage here and there which I touched up easily with Graphite at the end. Once I switched to this technique I just continued on doing all the white and then went back and replaced the stencil to apply the blue.
The Classical Border and Corner stencil is perfect for this because it comes with a corner tile piece that gets stenciled in the corners and the border design can simply run in between. These were visually centered in the corner area and stenciled in the Graphite Chalk Paint again. The border design was centered in the space between the corners simply mark the center point and place a central element right over it and then stencil with the repeat until you hit the corner.
This way, your design will naturally end at the same point on opposite corners. I wanted to bring a bit of the Duck Egg Blue Chalk Paint color into the border pattern so used a dry-brush technique to shade it just around the outer edges of the flower petals.
For the lacy edge, I positioned the Florentine Damask stencil at the same point each time. Notice that tape was placed over the border area to protect it from having Old White paint creeping into the black parts of that design.
I began by stenciling on either side of the corner first and dry-brushed on two quick layers of Old White Chalk Paint. Once I had my corners done, I spaced the damask repeats out equally along each side between the corners.
On the long edges I was able to stencil 5 repeats total, and 4 repeats total along the short edges. I love this combination of colors and patterns, which would also look super fab on a ceiling or tablecloth, I think. To protect my lovely floorcloth I used two thin coats of Annie Sloan Lacquer.The 'Vanishing Evidence' series is a general summary of years of detailed observation and research.
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). Large Bather () Musee de l'Orangerie, Paris. By Pablo Picasso. The Classical Revival in Modern Art (c) Figure Painting and Avant-Garde Classicism of the 20th Century. Main Examination and Interview. The Main Examination consists of a written Examination and a viva-voce test as below: Candidates who are declared qualified in the Main Examination shall be summoned for a viva-voce test.
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